randian | 燃点

303 Gallery is pleased to announce our first exhibition of new work by Sam Falls. >> Read more

Credit must be given to the Met, as the exhibition’s wide selection of works allows many unfamiliar Chinese names exposure on an institutional level in the West. Nonetheless, this raises a side issue as well—some of the works exhibited have little relevance to the themes they serve and thus the exhibition sometimes wanders off topic. >> Read more

Zabludowicz Collection are pleased to announce their 2016 year ahead program, including a group exhibition in the spring entirely drawn from the Collection, and this year’s annual solo commission by Donna Huanca. >> Read more

It is a mistake to compare LA with New York, Beijing or London, because Los Angeles is what they are not. It is their idiosyncratic counterpoint. >> Read more

Unlimited section provides galleries with an opportunity to showcase large-scale sculptures, video projections, installations, wall paintings, photographic series and performance art which cannot be displayed within the limitations of an art fair stand. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more

Desire and the visual have forever been intertwined. You cannot desire what you already have, so the object of desire is something spatially removed from oneself – a distance that can only be bridged by our sense of vision. All other senses, touch, smell, taste and even sound require a much closer proximity than sight. […] >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more

Pictures Generation artist, Matt Mullican, renowned for his work with signs and flags and pioneering hypnosis performances, exhibited in China for the first time during West Bund Art & Design last November, with a special presentation of his flag works. >> Read more